- 18 & over
- Standing Room ONLY
- Anyone 18 & over, MUST provide a valid photo ID to enter the venue. No Exceptions. No Refunds or Exchanges.
Town Mountain with Dead 27s
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- Ticket Price: $10.00 - $12.00
- Door Time: 8:00 PM
18 & over
Standing Room ONLY
Anyone 18 & over, MUST provide a valid photo ID to enter the venue. No Exceptions. No Refunds or Exchanges.
Town Mountain is known for their hard-driving sound, in-house songwriting, and the honky-tonk swagger of their live performances. The hearty base of Town Mountain's music is the bluegrass triumvirate of Bill Monroe, Lester Flatt, and Earl Scruggs. It's what else goes into the mix that brings it all to life both on stage and on record and reflects the group's wide-ranging influences – from the Grateful Dead's Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Jack Devereux, and Zach Smith on bass. The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.”
They released their 5th studio album, Southern Crescent, on April 1, 2016 on LoHi Records and toured throughout the year with it. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages bringing their sound to new audiences.
"This Asheville band killed it at the Ryman this summer opening up the bluegrass series and they put out this stellar collection of original songs that asserts them as the hippest, bluest traditional bluegrass band of their generation. In an era of bluegrass with manners, they cut with a serrated edge." – Craig Havighurst, WMOT
"Southern Crescent is seductive, mixing outstanding playing with a range of vocal styles. Many of the vocals mine the high-lonesome vein of a band like the Osborne Brothers or The Gibson Brothers. But, there is an earthiness to the vocals, which convey heart, without invoking pathos." - Fred Smith, Country Standard Time
"The first time I heard Town Mountain I loved, respected, and enjoyed them. And I do now more than ever. They have stuck with their deep bluegrass roots but as they have with all of their releases they have grown and expanded. They sound like Carolina, and they carry that sound farther and farther with Southern Crescent, their latest gem." - Jim Lauderdale
"I didn’t really think that Boston was a bluegrass kind of town but damn if Town Mountain didn’t just prove me wrong. They passed through town a few weeks ago and filled the room with a joyful noise, not to mention a jubilant crowd." – Mayer Danzig, Twangville
On their debut EP, Dead 27s brilliantly infused rock-and-roll and classic soul with both raw energy and refined musicality. Now with their first full-length effort Ghosts Are Calling Out, produced by Ben Ellman (a member of the funk/rock act Galactic) and mixed by Mikael “Count” Eldridge (a producer/engineer whose past work includes releases by Radiohead, the Rolling Stones, and a Grammy Award-winning effort from Mavis Staples), the Charleston-based band expands their sound by pursuing their passion for loose and joyful experimentation.
Working with a treasure trove of obscure and vintage lo-fi gear, Dead 27s have widened their sonic repertoire to offer up an album that’s boldly inventive but rooted in pure emotion. The follow-up to 2014’s Chase Your Devils Down—an EP praised by the likes of No Depression, who remarked that “you can feel their music in your bones”—Ghosts Are Calling Out builds off its predecessor’s earthy sensibility and gritty spirit. But while Dead 27s maintain their soulful melodicism and knack for heavy grooves, the new album finds the band crafting gorgeously warped textures that take their music in a thrilling new direction. “Making this album, we wanted to push ourselves and bring much more attention to detail to the production—and at the same time have some fun with all these weird, distorted sounds and tones that we were coming up with,” notes Mullinax.
After releasing Chase Your Devils Down in spring 2014, Dead 27s earned the Charleston City Paper Music Awards’ Song of the Year prize two years in a row, ranked in the top 24 of VH1’s “Make a Band Famous” competition, and opened for such artists as Earphunk, Galactic, The Revivalists, Marcus King Band, and Tab Benoit. Fast gaining a reputation as an incendiary live act, the band devoted much of 2015 to touring as well as writing and pre-producing material for Ghosts Are Calling Out. With each show serving as a breeding ground for creativity, Dead 27s mine much inspiration from their time on the road. Through that near-constant writing and performing, Dead 27s have vastly strengthened their creative connection and pushed the boundaries of their musicianship. “We’ve always worked in a way where everyone adds their own flavors to the songs, but this album was much more of a collaborative effort,” says Evans. “Each one of us was more heavily engaged in the whole process, and we ended up trying new stuff that we’re all really excited about and that goes way beyond just having some good new songs to put out."